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Shakespeare: Actors and Audiences

Shakespeare: Actors and Audiences Author : Fiona Banks
Release : 2018-11-15
Publisher : Bloomsbury Publishing
ISBN : 1474257941
File Size : 28.97 MB
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Shakespeare: Actors and Audiences brings together the voices of those who make productions of Shakespeare come to life. It shines a spotlight on the relationship between actors and audiences and explores the interplay that makes each performance unique. We know much about theatre in Shakespeare's time but very little about the audiences who attended his plays. Even today the audience's voice remains largely ignored. This volume places the role of the audience at the centre of how we understand Shakespeare in performance. Part One offers an overview of the best current audience research and provides a critical framework for the interviews and testimony of leading actors, theatre makers and audience members that follow in Part Two, including Juliet Stevenson and Emma Rice. Shakespeare: Actors and Audiences offers a fascinating insight into the world of theatre production and of the relationship between actor and audience that lies at the heart of theatre-making.

Audience and Actors

Audience and Actors Author : Jacob Raz
Release : 1983-01-01
Publisher : Brill Archive
ISBN : 9789004068865
File Size : 86.52 MB
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Actors and Audience in the Roman Courtroom

Actors and Audience in the Roman Courtroom Author : Leanna Bablitz
Release : 2007-08-07
Publisher : Routledge
ISBN : 1134089996
File Size : 50.49 MB
Format : PDF
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What would you see if you attended a trial in a courtroom in the early Roman empire? What was the behaviour of litigants, advocates, judges and audience? It was customary for Roman individuals out of general interest to attend the various courts held in public places in the city centre and as such the Roman courts held an important position in the Roman community on a sociological level as well as a letigious one. This book considers many aspects of Roman courts in the first two centuries AD, both civil and criminal, and illuminates the interaction of Romans of every social group. Actors and Audience in the Roman Courtroom is an essential resource for courses on Roman social history and Roman law as a historical phenomenon.

Actors, Audiences, and Historic Theaters of Kentucky

Actors, Audiences, and Historic Theaters of Kentucky Author : Marilyn Casto
Release : 2015-01-13
Publisher : University Press of Kentucky
ISBN : 0813158729
File Size : 61.76 MB
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Kentucky emerged as a prime site for theatrical activity in the early nineteenth century. Most towns, even quite small ones, constructed increasingly elaborate opera houses, which stood as objects of local pride and symbols of culture. These theaters often hosted amateur performances, providing a forum for talent and a focus for community social life. As theatrical attendance rose, performance halls began offering everything from drama to equestrian shows to burlesque. Today many architects believe that the design of a theater should not detract from the stage or screen. Marilyn Casto shows that nineteenth-century Kentucky audiences, however, not only expected elaborate decor but considered it a delightful part of the theatergoing experience. Embellished arches and painted and gilded walls and ceilings enhanced the theatricality of the performance while adding to the excitement of an evening out. In Actors, Audiences, and Historic Theaters of Kentucky, Casto investigates the social and architectural history of Kentucky theaters, paying special attention to the actors who performed in them and the audiences who saw it all. A captivating glimpse into a disappearing slice of American popular culture, her work examines what people considered entertaining, what they hoped to gain from theatergoing, and how they chose and experienced the theaters' architectural settings. In the social and physical design of these theaters, Casto explores nearly two centuries of the state's and nation's cultural history.

Audience as Performer

Audience as Performer Author : Caroline Heim
Release : 2015-07-30
Publisher : Routledge
ISBN : 1317633555
File Size : 80.67 MB
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'Actors always talk about what the audience does. I don’t understand, we are just sitting here.' Audience as Performer proposes that in the theatre, there are two troupes of performers: the actors and the audience. Although academics have scrutinised how audiences respond, make meaning and co-create while watching a performance, little research has considered the behaviour of the theatre audience as a performance in and of itself. This insightful book describes how an audience performs through its myriad gestural, vocal and paralingual actions, and considers the following questions: If the audience are performers, who are their audiences? How have audiences’ roles changed throughout history? How do talkbacks and technology influence the audience’s role as critics? What influence does the audience have on the creation of community in theatre? How can the audience function as both consumer and co-creator? Drawing from over 140 interviews with audience members, actors and ushers in the UK, USA and Austrialia, Heim reveals the lived experience of audience members at the theatrical event. It is a fresh reading of mainstream audiences’ activities, bringing their voices to the fore and exploring their emerging new roles in the theatre of the Twenty-First Century.

Screen Acting

Screen Acting Author : Alan Lovell
Release : 1999
Publisher : Psychology Press
ISBN : 9780415182942
File Size : 41.14 MB
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Using the history of screen acting as a means of evaluating the style and approach of performers, the book explores the relationship between performance in the theatre, on film and television.

Theatre for Working-class Audiences in the United States, 1830-1980

Theatre for Working-class Audiences in the United States, 1830-1980 Author : Distinguished Professor of Economics Daniel Friedman
Release : 1985
Publisher : Praeger
File Size : 39.8 MB
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This collection of essays defines and explores American theatres that consciously appealed primarily to workers. The scope of the book extends from the 1830s to the 1980s. Different authors focus on how various plays related to the audience as a class, the historically dynamic interaction between spectators and actors, and why certain plays gained popularity. The collection encompasses essays concerning New York theatre in the 1830s and 1840s, Pittsburgh theatre in the 1870s, various immigrant productions of the late nineteenth and early twentieth century, the politically radical theatre of the 1930s, a concluding section on recent and contemporary theatre for workers, and an overview of the history, politics, and aesthetics of theatres doing shows for working-class audiences today. An original and comprehensive bibliographical essay regarding the history of theatres for workers in the United States completes the volume.

Acting in Real Time

Acting in Real Time Author : Paul Binnerts
Release : 2012-06-25
Publisher : University of Michigan Press
ISBN : 0472035037
File Size : 77.8 MB
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A new theory of acting that tears down the theatrical "Fourth Wall"

Image Warfare in the War on Terror

Image Warfare in the War on Terror Author : N. Roger
Release : 2013-01-11
Publisher : Springer
ISBN : 1137297859
File Size : 42.89 MB
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Roger examines how developments in new media technologies, such as the internet, blogs, camera/video phones, have fundamentally altered the way in which governments, militaries, terrorists, NGOs, and citizens engage with images. He argues that there has been a paradigm shift from techno-war to image warfare, which emerged on 9/11.

The Power of Performance

The Power of Performance Author : Heidrun Brückner
Release : 2007
Publisher : Manohar Publishers
ISBN : 9788173047688
File Size : 55.21 MB
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Based on panel discussions at the Sixteenth European Conference on Modern South Asian Studies held in Edinburgh, Sept. 2000.

Intermedial Shakespeares on European Stages

Intermedial Shakespeares on European Stages Author : A. Mancewicz
Release : 2014-08-06
Publisher : Springer
ISBN : 1137360046
File Size : 64.38 MB
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Intermedial Shakespeares argues that intermediality has refashioned performances of Shakespeare's plays over the last two decades in Europe. It describes ways in which text and author, time and space, actor and audience have been redefined in Shakespearean productions that incorporate digital media, and it traces transformations in practice.

Heritage Film Audiences

Heritage Film Audiences Author : Claire Monk
Release : 2012-09-07
Publisher : Edinburgh University Press
ISBN : 0748688862
File Size : 47.13 MB
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This book is a study of the contemporary audiences for quality period films, and their responses to these films, with reference to the critical debate which constructs many of these films as 'heritage films'.

The History of World Theater

The History of World Theater Author : Felicia Hardison Londré
Release : 1999-01-01
Publisher : A&C Black
ISBN : 9780826411679
File Size : 33.11 MB
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Felicia Londre explores the world of theater as diverse as the Entertainments of the Stuart court and Arthur Miller directing Chinese actors at the Beijing People's Art Theater in "Death of a Salesman." Londre examines: Restoration comedies; the Comedie Francais; Italian "opera seria"; plays of the "Surm und Grand" movement; Russian, French, and Spanish Romantic dramas; American minstrel shows; Brecht and dialectical theater; Dighilev; Dada; Expressionism, Theater of the Absurd productions, and other forms of experimental theater of the late-20th century.>

Imagining the Audience in Early Modern Drama, 1558-1642

Imagining the Audience in Early Modern Drama, 1558-1642 Author : J. Low
Release : 2011-04-25
Publisher : Springer
ISBN : 0230118399
File Size : 58.20 MB
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This essay collection builds on the latest research on the topic of theatre audiences in early modern England. In broad terms, the project answers the question, 'How do we define the relationships between performance and audience?'.

The Actor in Costume

The Actor in Costume Author : Aoife Monks
Release : 2009-12-10
Publisher : Macmillan International Higher Education
ISBN : 1137021616
File Size : 41.88 MB
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How do audiences look at actors in costume onstage? How does costume shape theatrical identity and form bodies? What do audiences wear to the theatre? This lively and cutting-edge book explores these questions, and engages with the various theoretical approaches to the study of actors in performance. Aoife Monks focuses in particular on the uncanny ways in which costume and the actor's body are indistinguishable in the audience's experience of a performance. From the role of costume in Modernist theatre to the actor's position in the fashion system, from nudity to stage ghosts, this wide-ranging exploration of costume, and its histories, argues for the centrality of costume to the spectator's experience at the theatre. Drawing on examples from paintings, photographs, live performances, novels, reviews, blogs and plays, Monks presents a vibrant analysis of the very peculiar work that actors and costumes do on the stage.


Acting Author : John Harrop
Release : 2004-08-02
Publisher : Routledge
ISBN : 1134929366
File Size : 25.46 MB
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John Harrop examines how we think and speak about acting. Addressing himself to the intellectual problems associated with the idea of acting, it covers the range of actor training and practice from Stanislavski to the Post-Modern, and looks at the spiritual and moral purposes of acting within society: its danger and self-sacrifice.

Education in Drama

Education in Drama Author : David Hornbrook
Release : 1991-01
Publisher : Psychology Press
ISBN : 1850007209
File Size : 44.29 MB
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Understanding drama - Framework for dramatic art - Production - Reproduction - Progression and achievement___

Theatre of the Real

Theatre of the Real Author : C. Martin
Release : 2012-10-23
Publisher : Springer
ISBN : 1137295724
File Size : 72.22 MB
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This book proposes a new way to consider theatre and performance that claims a special relationship to reality, truth and authenticity. It documents innovations in devising and staging theatre and performance that takes reality as its subject, cultural shifts that have generated theatre of the real, some of its problems and some possibilities.

Theorizing Film Acting

Theorizing Film Acting Author : Aaron Taylor
Release : 2012
Publisher : Routledge
ISBN : 0415509513
File Size : 37.8 MB
Format : PDF
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This comprehensive collection provides theoretical accounts of the grounds and phenomenon of film acting. The volume features entries by some of the most prominent scholars on film acting who collectively represent the various theoretical traditions that constitute the discipline of film studies. Each section proposes novel ways of considering the recurring motifs in academic enquiries into film acting, including: (1) the mutually contingent problematic of description and interpretation, (2) the intricacies of bodily dynamics and their reception by audiences, (3) the significance of star performance, and (4) the impact of evolving technologies and film styles on acting traditions.

About Faces

About Faces Author : Sharrona Pearl
Release : 2010-06
Publisher : Harvard University Press
ISBN : 9780674054400
File Size : 49.87 MB
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When nineteenth-century Londoners looked at each other, what did they see, and how did they want to be seen? Sharrona Pearl reveals the way that physiognomy, the study of facial features and their relationship to character, shaped the way that people understood one another and presented themselves. Physiognomy was initially a practice used to get information about others, but soon became a way to self-consciously give information--on stage, in print, in images, in research, and especially on the street. Moving through a wide range of media, Pearl shows how physiognomical notions rested on instinct and honed a kind of shared subjectivity. She looks at the stakes for framing physiognomy--a practice with a long history--as a science in the nineteenth century. By showing how physiognomy gave people permission to judge others, Pearl holds up a mirror both to Victorian times and our own.